Posts Tagged 'Herbert Toms'

Jubilee Bonfires, 1935

Postcard of bonfire at Windmill Hill, Rottingdean, 1935

Postcard of bonfire at Windmill Hill, Rottingdean, 1935

For many, this weekend will be dominated by celebrations of the Queen’s Diamond Jubilee. These anniversaries have long been marked by the people of Brighton & Hove, but they have not always been celebrated by street parties. Back in 1935, during King George V’s Silver Jubilee, bonfires seem to have been a popular means of marking the occasion.

One postcard in our collection shows a bonfire prepared in Rottingdean. Another two photographs show a bonfire constructed by local scouts at Hollingbury Hill Fort. These two photographs are of particular significance to Brighton Museum because they were taken by former curator and archaeologist Herbert Toms.

Bonfire at Hollinbury Hill fort, May 1935. Photo by Herbert S Toms.

Bonfire at Hollinbury Hill fort, May 1935. Photo by Herbert S Toms.

Bonfire at Hollinbury Hill fort, May 1935. Photo by Herbert S Toms.

A Zoological Gallery at Brighton Museum

Bird Room before its removal to the new Zoological Gallery in 1904

The Booth Museum  in  Brighton has been in existence since 1874 when it was simply the Booth Museum of Birds. 100 years later, during the 1970s, it became the Booth Museum of Natural History when the science collections from Brighton Museum & Art Gallery were moved there.

Originally, zoological specimens were displayed in the side galleries on the first floor of Brighton Museum & Art Gallery but between 1903 and 1904 a new gallery (now the Costume Gallery) was built over the present entrance to the Museum. In February 1904 the new Natural History gallery was opened by the Mayor of Brighton, Emile Marx.

First floor plan of the Museum, 1905

First floor plan of the Museum, 1905

The work of reorganising the collection was carried out by Edward Alloway Pankhurst. He had been a secretary to John Ruskin in his youth and was also a close acquaintance of the Brighton collector Henry Willett. Pankhurst was instrumental in encouraging Willett to donate his pottery collection to the Brighton Museum & Art Gallery.

The zoological collection included such items as the skeleton of a Dodo, a species of porcupine globe fish which resembled:

‘a cross between a herring and an air balloon’

and a specimen whose name was the:

‘terror of spelling bee days – the ornithorhynchus, a creature apparently compounded of several animals, like the fearsome things in Mr. Well’s gruesome story The Island of Dr. Moreau’.

The new zoological section included an adjacent gallery for insects which housed specimens of spiders, beetles and butterflies and a gallery for ‘bones’ containing such objects as the skull of an elephant and a rhinoceros.

In his speech, the Mayor stressed that a museum ‘should illustrate the locality in which it was located’ and praised the collections of locally found flints and fossils as well as paying a special tribute to the sub-curator Herbert Toms.

Pankhurst responded to the Mayor by saying that they were keen to find other animals for the collection. He said that if ‘friends in India had a stray lion or tiger, they might send them along’.

Paul Jordan, Senior History Centre Officer

At Work With . . .

. . . Jenny, Knowledge & Information Manager

A key part of my role at Brighton & Hove Museums is to ensure the careful organisation of vital information about the objects and archives in our care. In our exciting digital age, this means working with a huge database and many, many digital images and documents. The flexibility of digital information management makes the process of recording and retrieving information relatively quick and easy but the whole thing can be a little inhuman at times!

Back when Brighton Museum was established, in the far-from-digital year of 1873, the recording of information was a much more painstaking business with every donation, purchase and excavation find recorded by hand with pen on paper. These records can be found in the museum’s archives which contain around thirty handwritten, leather bound ledgers known as accession registers. To me, the registers are objects of beauty in themselves and to give you an idea of how much information is contained within them, each ledger has around 300 pages and each page has roughly eight donations listed on it. This makes a total of 72,000 separate donations over the course of a century and many donations consist of more than one object! What I also find intriguing is that the ledgers can illustrate, to a certain extent, the personalities of the staff who wrote so carefully in them for over 100 years until computers were introduced in the 1980s.

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In this image you can see the first page of the first accession register which began in 1890. Amongst the list of entries has to be my most favourite labelled simply and humorously, in retrospect, as ‘a section of wood with curious stain’! The entry is numbered ‘9’ in the system implemented by one of the museum’s most influential curators Herbert S Toms. Toms was a dedicated archaeologist who managed the museum between 1897 and 1939. A later account of him by his protégé Ralph Merrifield describes Toms’ approach to keeping records:

“Detailed accessioning was an innovation introduced by Toms to the museum and was gradually extended by him to cover the earlier collections, which had often been catalogued with such unhelpful entries as “one long article, probably ceremonial”. Tom’s care in recording was undoubtedly instilled in him by [Lt-General] Pitt Rivers, whose words he was fond of quoting: “If it has lost its register number throw it into the first ditch you come to” – a dictum that should not be taken quite literally by archaeologists or curators.”

We maybe quick on the digital draw these days but you cannot fault a good numbering system to help with the organisation of electronic records! At Brighton Museum we have just returned to using the ever reliable R numbers devised by Toms, thereby bringing a brilliant record keeper, born almost 140 years ago, into the 21st century.


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May 2013
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