Posts Tagged 'April 2011'

At Work With . . .

…Paula, Museum Learning Officer (Adult event programme)

I have been working with the ghosts at Preston Manor for five years although I’ve yet to actually meet one.

In this time I’ve become fascinated not only by our famous Preston Manor ghost story but by the history of belief in ghosts, especially in the Victorian period. The Victorians went ghost crazy and the Stanford family of Preston Manor appear to have been drawn into the fad.

I have been lucky enough to read the letters written in the 1930s between John Benett-Stanford and Henry Roberts, the first curator of the Manor when it became a museum in 1933. It is through these letters that we can piece together some of the story. What is known is that Lady Ellen Stanford certainly did not believe her house was haunted “personally I do not believe anyone has ever seen one here” she wrote of ghosts in 1930.

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However, her mother was so convinced she took part in a séance, which was held at the house on 11th November 1896. At this time holding a séance was fashionable in high society. Even Queen Victoria is said to have dabbled. Spiritualist mediums could make a good living on the grand house circuit and many, interestingly, were women, as the job was considered a respectable profession (especially for genteel ladies in need of an income).

The medium present at the Preston Manor séance was Ada Goodrich Freer, going under the pseudonym ‘Miss X’. She became a leading member of the Society for Psychical Research which was set up in 1882 and continues today. Without doubt Miss X provided a dazzling show that November night. A transcript of the proceedings still exists from which we can deduce a ‘talking board’ was used (marketed as the Ouija Board from 1901). Miss X’s fantastical communications with ‘the other side’ (too lengthy to go into here) together with the archive of letters, provide us with the basis of the ghost tours and events that we run at Preston Manor today.

John Benett-Stanford, who was not present at the séance, intended writing a history of his family ghost story but in his own words he was “too lazy” to do so. He hoped Henry Roberts would take up the mantle and wrote numerous lines of enquiry to Roberts including the hope that the household ghost of the White Lady might call by one night and “share your whisky and soda with you”.

No one has yet written the definitive history of the Preston Manor ghosts, not least because the story continues. I keep an on-going file of up-to-date reports of sightings and experiences.

Favourites from the Royal Pavilion Gardens – Kerria japonica pleniflora

 

Kerria

The plant to look out for in the Royal Pavilion gardens in early April is Kerria japonica pleniflora. A tallish shrub with slender arching stems and pretty pleated leaves, it is dotted with golden yellow pompoms, each a double flower. We have three in the gardens, one in the bed behind  Max Miller, one looking good against the dark Yew hedge further down outside the Dome, and one looking fabulous against the pink of the almond blossom in the bed opposite the museum entrance (you’ll have to be quick to catch this before the blossom is blown away).

Kerria

These days it is not considered a particularly glamorous plant but it must have been an exciting addition to the original planting plan as it had only recently  been brought back from China by William Kerr (hence the name). Until that point, many plants like Kerria had only been seen on the Chinese wallpaper in the Royal Pavilion.

At this time of year, it adds a welcome splash of vibrant colour in the garden, and matches the yellow of the gorse, works well with the spring colours of daffodils and primroses, and clashes very nicely with the pink of the Mediterranean heather and Bergenias. Its shape and habit work well in the Regency scheme of woodland edge planting.

Volunteer Gardener, Royal Pavilion Gardens

Image of the Month – Satire on a Royal Marriage 1795

James Gillray, The Lover’s Dream, 24 January 1795
Hand-coloured etching and aquatint. FA208920

James Gillray, The Lover’s Dream, 24 January 1795, FA208920

James Gillray, The Lover’s Dream, 24 January 1795, FA208920

George, Prince of Wales had promised to marry Caroline of Brunswick in exchange for writing off his debts. In the print, his wife to be hovers over the sleeping Prince. A winged figure holds a marriage torch in one hand as he lifts the train of the wedding dress with the other. Cupid pulls aside the bed’s heavy curtains. On the other side of George’s bed, George’s father King George III holds a bag full of cash expectantly while the Queen, anticipating her son’s forthcoming marriage, holds a book entitled ‘The Art of Getting Pretty Children’.

Behind Prince George’s parents are his companions. The politician Charles James Fox and the playwright and politician Richard Sheridan appear worried as they slink away together with George’s former wife Maria Fitzherbert (his marriage to the Catholic widow was never recognized) and George’s current mistress, Lady Jersey. A plump Bacchus is about to fall off a cask of port. The print bears the inscription: ‘”A Thousand Virtues seem to lackey her, Driving far off each thing of Sin & Guilt.” Gillray suggests satirically that George’s exuberant lifestyle will come to an end with the wedding.

The Lover’s Dream shows Prince George before he met Caroline of Brunswick. George dreams blissfully of his future wife’s beauty and of a peaceful marriage, oblivious to the trouble that lies ahead. Indeed, adultery and, ultimately, divorce would define George’s marriage to Caroline.

The Lover’s Dream is one of the highlights from our new acquisition of 235 prints from the golden age of political caricature. James Gillray (1757-1815) was one of the leading satirists of late 18th and early 19th century. This beautifully-executed print demonstrates his wit, humour and visual imagination. The Lover’s Dream will be shown together with other colourful caricatures in the display George IV And His Circle – Newly Acquired Caricatures From The Kenneth Baker Collection in the Prints & Drawings Gallery at Brighton Museum & Art Gallery from 7 June 2011.

Jenny Lund, Curator of Fine Art

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