Archive for the 'Military History' Category

High Weald Roman Coin Hoard Coming to Brighton Museum

“It was nearly dark. It was winter, it was cold and raining. These things came out of the ground stuck together with clay; first two coins stuck together then in bunches of 80 and 100 and then a pot with the final 1,000. I stuffed every pocket and staggered back to my car. It was a wonderful day.”

Tim Symonds, Finder of the High Weald Hoard

The High Weald Hoard

The High Weald Hoard

The Royal Pavilion & Museums has successfully acquired a unique and rare Roman coin hoard. The hoard and its pottery container were acquired with a grant awarded by the Heritage Lottery Fund.

Obverse side of Cornelia Supera coin

Obverse side of Cornelia Supera coin

The hoard was discovered by a metal detectorist in the High Weald in 2006, about 30 miles north west of Brighton. It is one of the largest hoards of Roman coins ever found in the county and its discovery on the edge of the Weald, where finds from the Roman period are rare, reveals further insight into the archaeology of the area, and perhaps represents a connection with the local iron industry during this period.

Reverse side of Cornelia Supera coin

Reverse side of Cornelia Supera coin

The coins date from the third century AD. Of the 2,895 silver coins found are two of special significance: the third coin of Tranquillina (wife of Gordian III), and only the second coin of Cornelia Supera (wife of Aemilian),  found anywhere in the country.

The hoard, buried for nearly 1800 years, will now go on display in Brighton Museum in the Summer.

Heather York, Curator (Local History)


Can you help us?

  • What type of questions would you like answered in the display?
  • What amazing facts would you like to find out about the coins and Roman Sussex?
  • If you could ask the finder a question about the discovery of the hoard, what would it be?

Please reply to this blog with your questions and we will try to answer them in the display.

Looking Into Brighton’s Past

As a student at Brighton University, I was very pleased to be able to get a short time of work experience with the Royal Pavilion and Museums, Brighton & Hove. I am in my second year studying Visual Culture, which is essentially History of Art, although the course is quite flexible so I have the opportunity to study photography and film if I want to study more contemporary art practices rather than the more traditional art movements.

Since starting my work experience here I have been working alongside Kevin Bacon, the Digital Development Officer who deals with digitalising fine art and photographs, working on the Museum website, the smartphone app and social networking sites (along with a lot more that I have yet to discover). Kevin has taught me how to use their image store  which I wasn’t even aware of before I started my placement. If you haven’t had a browse yet, I recommend it, even if you don’t have an interest in art, many of the paintings/photographs/postcards/ceramics I came across were fascinating to look at, seeing Brighton during both World Wars and previously is intriguing.

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Monochrome postcard bearing image of 12 Indian Soldiers posing outside the Royal Pavilion, during its use as a Military Hospital

Monochrome postcard bearing image of 12 Indian Soldiers posing outside the Royal Pavilion, during its use as a Military Hospital

Some of the photographs within the slideshow were taken during the First World War. I’m most fascinated with the ones taken of the Indian Soldiers at the Royal Pavilion. In 1914, it was decided that Britain was in need of more troops in order to be able to cover all areas of fighting, so recruited soldiers from India who arrived in France in September ready for battle. Initially, it was planned that the Soldier’s would be treated in France if they needed to be hospitalised but due to the number of casualties, the next best place to use to treat the Soldiers was the South coast of England.

Along with Bournemouth and Southampton, Brightonwas used to accommodate the injured Indian Soldiers, which would accumulate to 4,000 men treated between 1914 and 1916. The general hospital at the top of Elm Grove and York Place School were transformed into Military hospitals alongside the Royal Pavilion.

Within the Pavilion, temporary places of worship were made for the different religions for the troops. A marquee was erected for Sikh’s in the Pavilion grounds, Muslims were assigned to use the lawn in front of the dome and there were nine kitchens in total to cater for the different religions. Hindus and Muslims had different water supplies and the patients were taken care of by people of the same faith as them. The Pavilion was a picturesque environment for a military hospital, one soldier wrote home, ‘Do not be anxious about me, we are very well looked after. Our hospital is in the place where the King used to have his throne.’

Monochrome photographic print of Gas Warning Vehicle in Brighton during the Second World War

Monochrome photographic print of Gas Warning Vehicle in Brighton during the Second World War

Along with the First World War there are many taken between 1939-1945 during the Second World War. Within the collection there are numerous photographs of air raid shelters and much documented evidence of how Brighton was damaged from air raids. Children had been evacuated to Brighton at the beginning of the war, however after a badly shot-up sea plane had to make an emergency landing on Brighton beach in May 1940 it was no longer classed as a Safe Area.

The 30,000 evacuees in Brighton had to be re-evacuated to other areas along with the local children. During the course of the war, Brighton suffered from 56 raids, 381 bombs were dropped, 198 people were killed, 357 seriously injured, over 200 houses were destroyed and 894 seriously damaged. The last image in this group of photographs is a still from a film of people celebrating the end of the war in Brighton.

Monochrome photographic print of a Boy's Brigade Camp in Glynde, East Sussex.

Monochrome photographic print of a Boy's Brigade Camp in Glynde, East Sussex.

This rest of the photographs in the slideshow are taken around Brighton Seafront and around Brighton town. I think these photos have captured a range of personalities that Brighton attracted and still does today. I particularly liked some of these as they made me laugh and others I just found intriguing. I think these photographs capture the atmosphere of Brighton well, that was present over 50 years ago and still is today.

photographic print of several bathers emerging from the sea at Brighton.

B&W photographic print of several bathers emerging from the sea at Brighton.

I have only selected some photographs but there are so many more available to look at. In the History Centre located on the first floor of Brighton Museum, there are books of photographs sorted into different categories, for example, railways, piers and transport from a range of dates in Brighton History. If you want to look from home, the image store is available to search for a variety of images so I recommend taking a look if you’ve enjoyed looking at the images above.

Amanda Perks (Volunteer)

Mortal Clay, the Perils and Pleasures of Old Age

Old Age in the Ancient World

‘Man that is borne of a woman, is of few dayes, and full of trouble.
Hee commeth forth like a flower, and is cut downe…’
- King James Bible (1611) Book of Job 14: 1-2,

Enamelled figure presenting a typical  image of old age, c1800

Enamelled figure presenting a typical image of old age, c1800

From earliest times human beings have been mindful of mortality and the transience of life. The words of Job, the Old Testament prophet, are characteristically pessimistic but true. The legendary Riddle of the Sphinx also comments poignantly on old age. The supernatural creature accosted travellers on the road to Thebes in Greece with the question: ‘Which creature in the morning goes on four legs, at mid-day on two, and in the evening upon three, and the more legs it has, the weaker it be?’ Only Oedipus escaped being killed and devoured by providing the correct answer, ‘Man—who crawls on all fours as a baby, then walks on two feet as an adult, and then walks with a stick in old age.’

Socrates, the Athenian philosopher, was perceptive about the shortcomings of old age. If you try to resist the overtures of death, he said,

‘… Nature steps in and grabs her pledge – your sight, your hearing, often both. And if you hold out she paralyses you, mutilates and tears asunder.’
- Axiochus (1st century BC)

‘…Old age will only be respected if it fights for itself, maintains its rights, avoids dependence on anyone and asserts control over its own to the last breath.’
- Cicero On Old Age (published 44 BC)

Cicero, the great Roman politician and orator exhorted old people to stand up for themselves and to remain independent in words that could have been written today.

The Seven Ages of Man

During the Middle Ages old people were regarded as part of the symbolic order of things according to God’s plan, as well as an actual component of society. Human life was divided into stages, usually between three and seven; these were often illustrated as a circle or wheel.

Average life expectancy was low largely because infant mortality was so high. But people who reached adulthood had a good chance of living to be 60 or 70 and the onset of old age was set at anything between 35 and 70.  Shakespeare’s famous speech on the Seven Ages of Man describes the last two stages:

Butter Dish c1840, illustrated with quotations from the Seven Ages of Man speech in Shakespeare’s As You Like It (Act 2 Scene 7)

Butter Dish c1840, illustrated with quotations from the Seven Ages of Man speech in Shakespeare’s As You Like It (Act 2 Scene 7)

‘…The sixth age shifts
Into the lean and slipper’d pantaloon
With spectacles on nose and pouch on side,
His youthful hose, well sav’d, a world too wide
For his shrunken shank; and his big manly voice,
turning again toward childish treble, pipes
and whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.’
- Shakespeare As You Like It

Age and Decay

Two Figures of Winged Time c1775 and c1820

Two Figures of Winged Time c1775 and c1820

Two Figures of Winged Time c1775 and c1820
Two Figures of Winged Time c1775 and c1820

Traditionally old people were revered and respected for their knowledge and experience. They represented continuity with the past and the passing of time was symbolised by the ancient, bearded Father Time. Old women, the repositories of folk memory and wisdom, became the community story tellers. Within families, older women have always performed an essential role in looking after children while younger women worked.

But old people have have also been mocked and bullied. Popular proverbs of the Middle Ages warn them against handing over power and property to the young before they have to, lest they be manipulated and abused like Shakespeare’s King Lear. They need no reminding of their physical infirmities. When the aged Falstaff volunteers to lead a company of soldiers he is questioned by the Lord Chief Justice,

‘…Have you not a moist eye, a dry hand, a yellow cheek a white beard,
a decreasing leg, an increasing belly? Is not your voice broken, your wind
short, your chin double, your wit single and every part of you blasted
with antiquity?…’
- Shakespeare Henry IV Part2

Men lose hair from their heads while women begin to grow it on their faces. Hearing fades and eyesight dims. Noses and ears grow but gums recede from the teeth. Bones become brittle and tend to break. The ‘Dowager’s Hump’ of osteoporosis was a typical hallmark of elderly women in the past, as were the broken arms and hips of the aged male.

In the 17th century the ageing process was seriously misunderstood. It was believed that post-menopausal women retained poisonous blood which left their ‘humours’ out of balance. They could cause fruit to wither on the vine and trees and livestock to die. In an atmosphere fraught with fear and superstition the world of women and witches combined, contributing to a rash of witch hunts. By the 18th century wrinkled faces and gnarled hands were acknowledged as evidence of experience and expertise, particularly in skilled crafts such as weaving, embroidery and lace-making. Artists portrayed and philosophers praised the wisdom of the old.

Retirement and Pensions

599. Mug c1825, a little girl  gives food to an old man who walks with a stick

599. Mug c1825, a little girl gives food to an old man who walks with a stick

There was no retirement age before the 19th century. Elderly people had to work until they were no longer able to. The only deference to age was exemption (around the age of 70) from compulsory public duties such as military service or the town watch. Ageing workers were offered less secure, lower-skilled and lower-paid casual jobs, and were the first to become unemployed during economic downturns. The poorest were forced to beg for food and shelter and might have to enter the parish workhouse. Here conditions were harsh and married couples were separated.

Trade guilds and Friendly Societies provided early forms of insurance and pension schemes. In 1896 the Ancient Order of Foresters had 900,000 members and £5million in capital. In return for regular payments earlier in life, such bodies covered sick pay, burial expenses, unemployment, medical treatment and pensions.

Bismarck, the German Chancellor was among the first to regard adequate provision for old age as a state responsibility. He addressed the Reichstag in 1884:

‘Why should the soldier of work not have a pension like the soldier of civil service? That is state socialism, that is the legitimate operation of practical Christianity.’

In 1889 Germany introduced the first state pensions for male workers over 70, followed in 1892 by Denmark who provided for the poorest (mainly women) over 60. The United Kingdom introduced a state pension for those over 70 only in 1908. In 1925 the age of eligibility was reduced to 65 and from 1940 women could claim it at 60.

Older Achievers

Some remarkable people continue to make major contributions to society and to arts and culture well beyond retirement age. The exceptionally long reigns of King George III (1760-1820), Queen Victoria (1837-1901) and the present Queen Elizabeth II (60 years so far) contributed enormously to the stability of the United Kingdom.

Among our oldest statesmen were the Duke of Wellington, who continued to attend the House of Lords into his 80s and William Gladstone, the original ‘Grand Old Man’. Gladstone was four times Prime Minister, finally resigning at the age of 84. Winston Churchill was already 66 in 1940 when he was appointed Prime Minister. He served throughout World War II and again from 1951-1955.

Cup and Saucer c1960, designed by Susie Cooper

Cup and Saucer c1960, designed by Susie Cooper

Artists such as Titian (c1490-1576), the Venetian painter of the 16th century and Picasso (1881-1973) could still produce challenging masterpieces in their 80s. Michelangelo (1475-1564) was appointed architect of St Peter’s Basilica in Rome at the age of 74 while the great Brazilian architect Oscar Niemeyer is now 105 and still designing. Many ceramicists have proved to have similar staying power. Susie Cooper was designing for Wedgwood and Lucie Rie was throwing pots in their 80s. Eva Zeisel, the American ceramic designer and political activist died in December 2011 aged 105.

Stella Beddoe, Senior Keeper and Keeper of Decorative Art

Our Mortal Clay exhibition is presently on display in the Willet Gallery of Brighton Museum & Art Gallery until 10 March 2013.

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June 2012
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