Archive for the 'Edwardian' Category

An Edwardian Dinner Party

The hostess, Ellen Thomas-Stanford, PMPHO000029

The hostess, Ellen Thomas-Stanford, PMPHO000029

In the early twentieth-century, dinner at Preston Manor was generally served at 8.00pm. Guests were announced by the butler, and escorted to the drawing room. After the first course had been laid in the dining room, the butler announced “dinner is served” and the guests proceeded to their places.

Charles Thomas-Stanford, (who married Ellen Stanford in 1887 after the death of her first husband), escorted the senior ranking female guest and she sat at his right hand; the remaining guests were paired according to their rank. At the rear of the procession Ellen Thomas-Stanford accompanied the gentleman of highest rank and he sat at her right hand.

The host, Charles Thomas-Stanford, PMPHO000099

The host, Charles Thomas-Stanford, PMPHO000099

Dinner parties at Preston Manor normally comprised six to twelve guests. When the party was small at least two of the leaves from the dining table were removed to create a more intimate atmosphere. Visitors books and annotated menus indicate that the Stanfords, unsurprisingly, entertained the elite of society as well as family members and friends.

The Guests

Princess Beatrice, Queen Victoria’s fifth daughter, was a frequent guest of the Stanfords, last appearing in 1926. Princess Alice, Countess of Athlone, and Princess Helena, second and third daughters of Victoria, were also occasional guests. Literary friends of Charles included Carrie and Rudyard Kipling, who visited in 1927 and 1930.

Place settings had to be carefully worked out in advance; guests’ names might be written on cards or Charles Thomas-Stanford might request each guest to take a given seat. Charles and Ellen normally sat at the middle of the able at the sides so that the principal guests were gathered around a common centre.

The Service

Dinner set, John Turner & Co., c1800, Bequeathed as part of the Stanford bequest of Preston Manor and its contents to the Brighton Corporation in 1932, DAMAS000229

Dinner set, John Turner & Co., c1800, Bequeathed as part of the Stanford bequest of Preston Manor and its contents to the Brighton Corporation in 1932, DAMAS000229

Dinner was served à la Russe, so called because it was said to have been introduced by the Russian ambassador at the court of Naples in the early nineteenth-century. Service à la Russe became the usual method of serving dinner in England from the 1870s. It superseded Service à la Française, where a great number of dishes were set out on the table, and were then removed to be replaced with a second course of much the same mixture of game, fish, sweetmeats and roasts.

In Service à la Russe guests were presented with a succession of courses, beginning with soup and ending with desert. The cutlery for subsequent courses was arranged so that guests worked inwards. Service was always from the left, though wine was served from the right. Dishes too heavy to carry round, like roasts, were carved, often by the host, at a side table.

The Decorations

A watercolour of Preston Manor's Dining Room, 1896, PM190082

A watercolour of Preston Manor’s Dining Room, 1896, PM190082

The table was decorated with flower-filled vases and centrepieces. The 1907 Army and Navy Stores Catalogue has three pages filled with glass vases suitable for flowers for the dinner table. Contemporary household manuals devote pages to floral decoration with suggestions for combinations of glass, silver, lampshades and seasonal flowers. Great attention was paid by the hostess to ensure that nothing clashed. Pink. Red and yellow flowers, mixed with white, were particularly recommended.

At Preston, the candles on the table had self-adjusting supports with candle shades which varied in colour according to the floral decoration. The electric lights were normally switched off as guests preferred the softer light of candles.

The Meal

A typical Edwardian dinner party at Preston Manor would start with soup accompanied by sherry. This would be followed by fish served with a good white wine. After the fish came the entrée, which might consist of vol-au-vent, mutton cutlets or sweetbreads served with champagne or claret. The next course was known as the remove or relevé. This was the most substantial part of the dinner and might include a joint of meat, poultry or a substantial meat pie served in burgundy. Potatoes and vegetables in season always accompanied the ‘remove’. The potatoes were cut to the size of matches (as testified by Dorothy Fuller, a scullerymaid at Preston Manor from 1923-26. Interview March 1999.)

Mustard Pot, PM400757

Mustard Pot, PM400757

Next came the roast course of game such as field fares (a small bird), snipe, wild duck or pheasant served with game chips. These were disc shaped potato chips; at Preston Manor they were so thinly sliced that they could be seen through. Claret would normally be drunk with this course. Then followed a series of dishes known as the entremêts. This course was divided into three and usually consisted of a dressed vegetable, dishes such as cherry tart or savarin of peaches and a savoury of, for instance, devilled sardines or cheese.

The table would then be cleared, a new set of wine glasses put out, and the guests were provided with dessert plates with ice-plates on top of which were set finger bowls and silver-gilt dessert cutlery. The finger bowls were then set to the left, ices brought in and served on the ice-plates; these were often removed, leaving the dessert plates for the fruit and nuts. Port of madeira would then circulate.

At this stage the ladies would retire in exactly the same order as they entered – the lady of the highest rank first, Ellen Thomas-Stanford bringing up the rear. The gentleman could now smoke. Coffee would be served separately; in the drawing room for the ladies and in the dining room for the gentleman.

This text was originally published on the Royal Pavilion and Museums’ main website.

‘What do you think of him?’ A postcard for Valentine’s Day

If our earlier post on vinegar Valentine’s has left a sour taste in your mouth, this postcard is a sweeter reminder of the day. It was sent from Brighton on 13 December 1909 to a lady in Shrewsbury. Perhaps it lead to a Valentine’s card two months later?

Message side of postcard, 1909 (HA920381)

Message side of postcard, 1909 (HA920381)

‘Dear Old Eda,

Am sending you photo of the boy I told you about what do you think of him.  Hope you are quite well.  Am expecting a letter.  Fond love to the children + best and fondest to yourself.  Yours Lou’

The picture side of the postcard bears a group portrait of the Theatre Royal football team. The man standing on the right of the back row is marked by an ‘x’. Is he the boy mentioned by Lou?

Postcard showing the Theatre Royal football team, 1909 (HA920381)

Postcard showing the Theatre Royal football team, 1909 (HA920381)

At Work With… Ellie Newland

If there’s one word that definitely applies to my job then it’s ‘varied’.  One glance through my daily ‘Things to Do’ lists of the last couple of months reveals a whole host of miscellaneous items:  ‘Book Bollywood dancer’, ‘Build giant maze‘, ‘Dinosaur meeting’ ‘and ‘Edit Haunted House script’ being amongst them.

My main responsibility is putting together the events programme for children and families across all our sites: Preston Manor, the Booth Museum of Natural History, Brighton Museum & Art Gallery, Hove Museum & Art Gallery and the Royal Pavilion. The programme can include informative talks about the collections, hands on arts and crafts workshops and bespoke theatre performances in our more unusual spaces, alongside countless other activities. As the events are tied into our rich exhibitions programme as far as is possible, it means that I am constantly learning about new things, which I love.

Child-friendly projects

Child-friendly projects

I am also called in to help the exhibitions team ensure that major shows are as child-friendly as possible – whether that’s by writing a gallery trail or devising interactive gallery activities that can be enjoyed by all the family (most recently giant fuzzy felt and magnetic poetry in the Ragamala exhibition). It’s great to walk into the galleries and see them packed out with little ones getting creative!

No two days are the same; one day I might find myself running a children’s animation project, the next I might be sat at my desk ploughing through financial paperwork, or researching Edwardian ghost stories for a storytelling event at the Manor.

Christmas is a particularly busy time of year in the role, and I can’t seem to sit down at my desk for five minutes at the moment without the phone ringing! The reason? Dickensian Christmas at the Royal Pavilion. Now in its fourth year, this sell out event seems to go from strength to strength. This year it was named by The Guardian newspaper as one of the seven best places in the United Kingdom for families to enjoy a Christmas day out.

Father Christmas at the Royal Pavilion

Father Christmas at the Royal Pavilion

The six day run, starting on 17 December, will see over 1000 children and their families visit the palace to meet Father Christmas himself and receive a present from one of his elves. After this meeting each family are taken on a specially devised Dickensian tour of the building, led by a cast of larger than life Dickensian Christmas characters (including ‘Mr Bah Humbug’ himself – Scrooge!).

Despite the pressure involved in pulling off an event of this scale (risk assessments, staff rotas and day schedules not being amongst my favourite aspects of the job!), it is a great deal of fun to put together something that really shows off the building at its festive best. I am also lucky enough to work with a talented and dedicated team on the project, without whom I would be utterly lost! Particular thanks need to go to the role play team, the Information & Security team and, last but by no means least, the volunteers who painstakingly wrap our hundreds of presents!

Squeezing all this into a three day week can be a tough call, but bringing the buildings to life for the younger generation and seeing the creativity our collections can inspire is a just reward for the hard work (most of the time, anyway!).

…Ellie Newland, Children & Families Learning Officer


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May 2013
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