Archive for July 20th, 2012

Olympic Torch Relay – 17 July, 2012

The Olympic Torches lined up on the Olympic Torch Bus

A beautiful summer morning in Brighton, somewhat of a rarity in what has been an awful British summer, allowed the Olympic Flame to burn on brightly as it continues its journey. The Royal Pavilion is the ideal place to start day 60 of the Flame’s journey, not only is the Pavilion a Brighton icon, but the mythical style building links to the mythological origins of the Olympics nicely. As well as the Cultural Olympiad funding part of the new permanent gallery ‘World Stories’, opened to signify the London 2012 Olympics, in Brighton Museum and Art Gallery.

The Torchbearers briefing in the Royal Pavilion’s Music Room

The torch relay runners are up early and at the Pavilion by 6am, a briefing is carried out in the Pavilion’s Music Room, where the bearers are told by the officials how to get the best crowd reaction and how the flame will be passed between their torches with the torch ‘kiss’.  As this goes on inside the building, outside in the Royal Pavilion gardens a large crowd is forming, all wanting to get a glimpse at the Olympic flame. A diverse group of people form the crowd, from excited school children to eccentric Brightonians dressed in union jack suits with red, white and blue Mohawks. Brilliantly representing Brighton and bringing its inhabitants together at this iconic building to celebrate everything the flame represents, the London 2012 Olympics.

Zachary Narvaez with his torch on the Royal Pavilion’s Roof

The first torch bearer of the day Zachary Narvaez is more than qualified to carry the legendary flame, after he lost his Grandfather to cancer; he set up an unregistered charity to raise funds for cancer research and the Martlets Hospice. He also won Argus Achievement Award for Star Pupil last year. At 7.20 Zachary starts off the torch relay from the front of the Royal Pavilion, through the cheering crowd. Once on the road a procession of vehicles follow the flame, with music blaring out of the sponsors buses, and people on board to motivate the excited crowd. Then the Flame is passed from Zachary’s torch to Mark Hill, an accident investigator for Sussex Police. The torch bearers continue to run onwards, passing the flame from runner to runner with a torches kiss, along the London Road, continuing its journey onwards around Sussex.

Zachary setting off with the torch as the first runner of day 60

With just 10 days to go until the opening ceremony of the London 2012 Olympics you could really feel the energy building as the torch left Brighton, adding a new story to the Royal Pavilion’s ever growing historic life.

Open Data from our collections

Unlocked padlock. Image released under CC0 licence via clker.com.

Like any museum, one of our core functions is to make our collections accessible. This applies to the digital data about our collections as much as it does to the physical objects themselves. At present, the main means of accessing our digitised collections is through our Search Collections and our Image Store. But there are many people who would like to use our digitised collections in other ways, whether through analysis of the data we hold, or by re-using this information for other purposes. In recognition of this, we have just released several datasets relating to our collections, along with accompanying images, which are available to download via the Open Data section of our Image Store.

There are eight datasets, containing over 4,400 records in total. The data has been released as Comma Separated Value (CSV) files, which can be opened in any spreadsheet program. The records are a selection taken from those used on our present online collections. Although this only represents a fraction of our total records, this data can be considered ‘clean’ — that is, to the best of our knowledge, the data can be considered accurate, can be illustrated, should be relatively easy to understand, and should not infringe the intellectual property rights of any third party.

Terms of use

The collection datasets are released under Creative Commons Zero (CC0) licences. This means that we do not claim any rights over the information released, and it may be freely copied, adapted, and re-used.

The accompanying images are released under a Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0) licence, which is more restrictive. This allows use of the images providing the following conditions are met:

  • They are attributed (ie. credited to ‘The Royal Pavilion and Museums, Brighton & Hove’
  • They are not used for commercial purposes
  • The images are not altered, or transformed in any way

The data

The datasets are taken from eight of our collections:

Archaeology (17 records)

Costume (193 records)

Craft (33 records)

Decorative Art (1914)

Fine Art (422)

Local Photographs (1777)

Natural Science (40)

Toys (41)

Related images are gathered in a zip file. A link to this can be found by each dataset in the Image Store.

Feedback please!

Open data is a new area of activity for us, and if it is to become part of our regular activity, it will require a significant investment in time and resources. We need your feedback.

  • Is this data useful?
  • What collections would you like to see more of?
  • Are there any other datasets we might hold that you would like to see released?
  • Is there anything we could do to make the data easier to understand?
  • How will you use the data?

Please comment via the form below. I would like to publish a FAQ on this later, so please also indicate if you are happy for your comment or question to be posted anonymously.

And if you are looking for an incentive to build things with this data, we will be releasing final details of our New Cabinets for New Curiosities project very soon.

Kevin Bacon
Digital Development Officer

Brighton News Story – 20 July, 1795: Prince forbids use of any bread but brown

On Friday his Royal Highness ordered brown bread be Introduced at his own table and forbade the use of any other among his household.  A example truly worthy of a Prince…. The poor as well as the rich should consider that a brown loaf is better than no loaf, and in order to secure event that till the arrival of harvest, ’tis  indispensibly necessary that the utmost frugality in the use of flour should be observed by EVERYONE.

From The Sussex Weekly Advertiser, 1795


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